GOULD, JOHN
A CENTURY OF BIRDS FROM THE HIMALAYA MOUNTAINS
First Edition, First Impression, First IssueYear: 1831
Size: 54.8 x 38 cm (21.5 x 14.9 inches)
Published by John Gould 1831.
No. of Illustrations: 80 Hand Colored Lithographic Plates
First Edition, First Impression, first issue, with the backgrounds of the plates uncolored 80 fine hand-colored lithographic plates, by and after Elizabeth Gould, after sketches by John Gould.
Red Half Moroccan leather over matching pinkish red cloth hardcover binding, title in gilt on spine.
Gould's first major work produced after his acquisition of a collection of bird-skins from the Himalaya Mountains: 'the work scored such a great success that Gould continued for the rest of his life to publish large uniform monographs and faunas all on the same lines' (Anker, 168). Gould acknowledges the help of Vigors in confirming the nomenclature of the birds and their descriptions.
Initially employed as a taxidermist [he was known as the 'bird-stuffer'] by the Zoological Society, Gould's fascination with birds from the east began in the "late 1820s [when] a collection of birds from the Himalayan mountains arrived at the Society's museum and Gould conceived the idea of publishing a volume of imperial folio sized hand-coloured lithographs of the eighty species, with figures of a hundred birds: 'A Century of Birds Hitherto Unfigured from the Himalaya Mountains' , (1830-32).
Gould's friend and mentor N. A. Vigors supplied the text. Elizabeth Gould made the drawings and transferred them to the large lithographic stones. Having failed to find a publisher, Gould undertook to publish the work himself; it appeared in twenty monthly parts, four plates to a part, and was completed ahead of schedule. "With this volume Gould initiated a format of publishing that he was to continue for the next fifty years, although for future works he was to write his own text. Eventually fifty imperial folio volumes were published on the birds of the world, except Africa, he also presented more than 300 scientific papers.
The design and natural arrangement of the birds on the plates was due to the genius of John Gould, and a Gould plate has a distinctive beauty and quality.
His wife was his first artist. She was followed by Edward Lear, Henry Constantine Richter, William Matthew Hart, and Joseph Wolf" (Gordon C. Sauer for DNB).
AN EXCEPTIONALLY FINE COPY.
Provenance : Collection of a Gentleman
AN EXCEPTIONALLY FINE COPY
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